This task comes with a required chauffeur, Misaki Watari ( Tōko Miura), another quiet soul who’s also got trauma of the past molding her present. Flash-forward two years later and Kafuku, who now wanders the Earth with a stifled disposition, has been hired to direct a production of the Anton Chekhov play Uncle Vanya in Hiroshima. The story Hamaguchi is telling here concerns theater director Yūsuke Kafuku ( Hidetoshi Nishijima), whose life is thrown into disarray when he comes home one day to discover that his wife has suddenly passed away from a cerebral hemorrhage. The new Ryusuke Hamaguchi movie Drive My Car, though, is the perfect example of how to interweave classic works of art into your film (in this case, vintage plays) and not only not distract from your story but enhance it. A tedious film flashing a vivid painting on-screen, for example, could inspire one to vacate the auditorium and check out a museum instead. The same can be said for tremendous works from other mediums of artistic expression. Film critic Roger Ebert once remarked that it's a bad idea to reference a beloved movie in your film since it can only serve to remind people of superior features they could be watching instead.
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